Apple TV
Mutate
Odyssey for Telstra
Idents for Cancer Research UK & Channel 4
Pi8 & Pi6 for Bowers & Wilkins
Patience for Byborre
Ignis
Phantom GX 2 Elite for NIKE
Vision Pro Reveal for Apple

Idents for The Clove Club

Inner Child for Ressence
Toccata

The Cliff

Broken Dreams Broken Machines for Max Cooper

Louis Vuitton 200

Odyssey

Utopia

Refuge
Immersed in the Forest for Zara

Aerial
Relief

Exo

Fork

Morris

Guinness Goodness for Guinness

Plénitude II for Dom Perignon

Del Core Collection 1
Idents for Channel 4

Supersonic R & Jasper Plum for Dyson
Call to the Wild for Apple

Brand Reset for Aveda
Diatoms
Immaterial Objects for London Design Festival 2024
Playground

Order in Space

Never Ordinary Campaign for Made

Babel

Playground Installation for London Design Festival 2023

Fugue

Stream of Thought for Max Cooper

Information
Surface

Tension

Extrusion

Order_In_Space 3840x2160 / 25fps / Prores 422HQ
Order in Space
A film exploring order in space - how complex arrangements can reveal simplified forms in space and time. Four basic forms are examined; a square, circle, triangle and rectangle, using different techniques captured in camera to create or distort the shapes over time. The films explore the beauty within chaos, moments of calm are violently broken using various techniques from high explosives to simple ripples in water. The films also consider the principle of reification, where transitional moments allow a fleeting clarity of shape before departing back into disorder.




Behind the Scenes
Custom rigs were designed, developed and refined to capture these effects entirely in camera with no CGI involved in the final films. These set-ups helped to create the illusion of material moving against gravity. The film embodies the process of capturing effects in camera, some techniques required development and refining after multiple takes, while others were carefully planned singles shots. All footage was captured using high speed cameras in 4k resolution.




Credits
Creative Direction & Production: Optical Arts
Direction: Joe Jackson
Editor: Matt Cronin
Audio: Sonjay Prabhakar
VFX Supervisor: Miguel Wratten
2D Assists: Jasmine Cooper, Ben Gallagher
Colourist: Martin Pryor
Camera Assistant: Elliott Lowe
Set Assistant: Jamie-Lee Harding
Retouching: Martin Pryor